Julian Charrière will open Deep End at the Museum of Contemporary Art, Los Angeles, on November 15. The exhibition is the French-Swiss artist’s first solo museum presentation in Los Angeles and one of the inaugural projects supported by the Eric and Wendy Schmidt...
ATIM Editorial Desk
Tarek Atoui Is Teaching the Turbine Hall to Listen
Tarek Atoui is preparing to turn Tate Modern’s Turbine Hall into a place for listening, playing and collective discovery. Opening October 13, the eleventh Hyundai Commission will bring the Paris-based Lebanese artist and composer’s sound practice into one of...
Sony’s 260,000 Takedowns Reveal the Scale of AI Music Impersonation
Sony Music says it had asked streaming platforms to remove more than 260,000 fake tracks by the end of September—nearly twice the 135,000 it had flagged six months earlier. The company described a surge of generative-AI recordings that imitate artists’ voices and...
The Plastozoic Era Imagines a Museum After Nature Has Been Replaced
At Milan’s Natural History Museum, a speculative future has entered the display cases. L’Era Plasteozoica. Una distopia ecologica imagines an epoch in which plastic has become so entangled with living systems that a museum might classify synthetic debris as though it...
Greta Garbo Returns by AI—and Estate Consent Is Only the Beginning
Greta Garbo has appeared in moving images again—not through rediscovered film, but as a synthetic performance created for the Swedish industrial company SKF. The 99-second advertisement, developed with Garbo’s estate and family, is a vivid case study in how artificial...
Before You Publish: A Six-Step Verification Habit for AI-Assisted Writing
Generative AI can accelerate research and drafting, but speed becomes expensive when a polished sentence hides a false citation, invented quotation or missing qualification. A recent federal court episode offers a useful warning far beyond the legal profession: the...
Ca’ d’Oro’s €10 Million Restoration Puts Private Patronage to a Public Test
Venice’s Ca’ d’Oro is in the middle of a restoration and reinstallation whose cost exceeds €10 million, a scale that makes the project more than a conservation story. It is also a test of how private philanthropy can support a public museum without reducing cultural...
Living Labyrinths Turns Fungi Into a New Language for Art
Fungi are easy to notice when they erupt above ground and almost impossible to comprehend when their networks disappear beneath it. A new exhibition at Exeter’s Royal Albert Memorial Museum & Art Gallery uses art to make that hidden world felt. Living Labyrinths:...
How Artists Can Build Accessibility Into an Exhibition Before Opening Day
A dispute over access to the British Museum’s Bayeux Tapestry exhibition has placed a familiar museum problem in sharp focus: accessibility cannot be added at the end of a project like a caption card or a press release. For artists, galleries, and independent...
The White House’s Voluntary AI Accord Leaves Artists Watching the Fine Print
Six artificial-intelligence companies have signed a voluntary White House accord promising stronger internal controls, independent evaluation, and board-level oversight for advanced AI systems. The framework is meaningful because it places governance inside the...









